What People Are Saying
“ Swirling, viscous surfaces, with dissolving and emerging forms, rhythmic patterns, and monochromatic explorations tinged with bursts of colour. Alternately, one can see lavish swells, ridges and folds of paint, applied with generosity and deep enjoyment, creating recognisable shapes and figures within abstract spaces. These are an artist's musings on the world around, embracing natural phenomena, and also the wider cosmos and otherworldly dimensions. For Clarice Vaz, the act of painting appears as a state of consciousness that allows the flow of various elements, both physical and emotional, into visual, tangible form. Each work that is created with this act, is filled with a sense of pulsating life, and articulated feeling. The intense colours and textures, linear constructions and spatial formations establish varied moods in a painting that invites the viewer into deeper engagement with it. The paintings in this compilation are realised in Clarice's distinct energetic way - they evolve from her gestures, and from her deep physical and psychological involvement in the painting process. She intuitively chooses imagery and narrative from a personal, social and cultural environment, moving fluidly through different styles - both figuration and abstraction, always making her work accessible to a wide ranging viewership. In works like, "Let there be Light", "Inner Turmoil", "Journeying Home", each has a dramatic presentation of colour and composition, yet portraying different energies through the symbolic and spontaneous formation of colours. In "Still Waters" and "Splendour of Creation", the dynamism is subdued, and the experience of silence and vastness is greater. Clarice allows the colours to speak for themselves, functioning as a sensitive medium to channel their energies. Each work provides different avenues for interpretation, for varied viewers. In the abstracted compositions, sometimes one can see a rocky landscape, at times a mountain or a river, morphing into the sky - sometimes a field of trees or the never ending ocean of light fading away into a distant undefined space. Having been a painter for a short period (Clarice took up painting late in her life) - her tools are very important to her and range from a few conventional choices, to varied spatulas, (hair)brushes and even objects foreign to a studio like syringes and other innovatively designed tools. This gives her multiple methods and devices to manipulate and play with paint on the surface. This is sometimes dabbed down flatly, or mixed with other mediums to give it substance and the impasto thickness. Adding and subtracting to the surface medium is part of her methodology - sometimes in a single work one can find different methods of paint application, from thin washes to thick controlled drips. "Heavenly Light" and the remarkable painting "The Narrow Pathway" are characteristic of the intense and time consuming craft that becomes a part of applying paint in controlled drops. The complexity of the process is erased in the unity of the picture plane, where each colour and line is exactly in place. She deftly introduces figures where they carry the story forward, mediating imagery through memory, experience, iconography and imagination. Clarice's visual language seems attuned to the abstract rather than the representational, though the two are often integrated. Abstraction is a journey into the interpretation of what remains unrevealed in reality, it peels away the outer layers and seeks the bare essence, the most pertinent components of knowledge or information. Similarly, enveloping and depicting the outer familiar layers of objects, landscapes and figures creates narratives that are representative of corporeality. It is natural that a viewers' state of mind and conditioning will reciprocate diversely the language of colours and forms. Each linear motif and texture is intensified to present a core experience and the viewer is taken along into these mindscapes. The interaction frames the manner in which it is experienced, individually or collectively. The paintings have the capacity to raise thoughts in a viewers' mind and also perhaps throw out answers to life's innumerable, unexplainable questions. As an artist, Clarice connects various intellectual, spiritual and metaphorical narratives that come from contemporary experience. She takes a critical look at everyday life and is deeply aware and responsive to the human condition, the superficiality, conflicts, pain and displacement that are apparent. In a complex milieu of socio-political, cultural and religious barriers, she attempts to find peace - it is her Sadhana, an intense meditation - looking into the continuum of time, space and human existence within it. Poignant truths from the Christian belief drive her understanding, and engender in her the possibility of transcendence while living within a fast-paced, chaotic world. Clarice's artistic perceptions enfold a spiritual consciousness that celebrates oneness among human beings - moving beyond physical realities to those from another dimension, juxtaposing the microcosm with the macrocosm. She refers to momentous stories from the Christian book of faith to derive simple lessons of living. She reiterates the symbol of the crucified Jesus in "Follow Me" and "...why have You Forsaken me", and celebrates the purity of mercy and compassion in "Soft Winged Dove". She believes discovering and conquering the trials life throws each of us towards a higher pathway, and towards universal healing. Clarice incorporates different narrative devices within her paintings making associations to the natural and mystical world. Memory and experience, history, nostalgia, loss and hope intermingle at varied levels, providing an emotive space of self-discovery - and this is what she shares with her viewers.
“ In the darkest recesses of the mind, the true artist scavenges for inspiration. Out of this primal darkness are born works of illuminating brilliance. Clarice Vaz plunged headlong into a malevolent darkness brought on by the sudden demise of her son, Craig. And surfaced bearing luminous little pieces of her soul, in the form of her art. Art that is unfettered by the tragedy that birthed it, but soars instead on the gossamer wings of hope, joy, beauty and eternity. A burst of bright colours and vibrant motion informs her paintings. Clarice uses bold techniques, employing the tools available to every artist, as well as borrowing some from her previous avatar as a nurse. She achieves interesting effects by using a syringe to transfer paint on canvas. It is a tedious and painstaking process, the outcome of which she seldom has any control over: As she says- what has to arise, will... She believes her works validate her faith in her religion and humanity- thought there is nothing that marks them as belonging to any particular religion. Most of it is abstract expressionism, but she also does the occasional Goa inspired beach scene or pays homage to the Mae de Deus Church of her village- Saligao, and the Churches of Old Goa. The process of painting is meditative for Clarice. She is grateful for the catharsis it offers; losing her sense of self, subsuming her ego in a riot of colours. It has helped her cope with the loss of her son Craig, in whose memory she signs every painting. Art has filled the void in her heart- figuratively and literally. Clarice, who suffers from a heart disorder; lives each day with the knowledge that she has just this moment to cherish. It transfuses her paintings with an urgency. Her work is unpretentious and fresh; a celebration of this fleeting chimera we call life. And thankfully for us, it is untouched by the rigours of art pedagogy. Clarice's art speaks the language of her heart. Still yourself and listen closely, you will be able to comprehend it...
“ In her light-filled house skirted by rice paddies in a peaceful vaddo of Saligao, Clarice Vaz is steadily building a unique oeuvre of artworks that are a formidable monument to her irrepressible passion, and a profoundly moving tribute to her beloved son, the late Craig Vaz. Vaz signs her artwork with Craig's name to keep it alive forever, permanently cherished by the owners of his mother's paintings, as they circulate around the world and in Goa. The increasing popularity should not come as a surprise, despite the fact their creator is a registered nurse who only turned to painting full-time relatively recently. This is because Clarice Vaz has been impressively innovative and inventive. Her self-taught "fluid" technique yields canvases that are hypnotically powerful, drawing the viewer deep into long glimpses of eternity. The "spin" paintings - executed on a home-made machine in the Vaz back garden - pack an irresistible, colourful punch. The additional suite of "syringe" paintings are perhaps unique in art history - they have required a nurse's expert hand to create these extraordinarily detailed works depicting an idealized Goa. Today's art world is dominated by manufactured superstars, by surface-deep cleverness and calculation. This leaves little space for recognizable sincerity, for sheer perseverance. But these are precisely the rare characteristics that shine throughout Clarice Vaz's canvases, each palpably imbued with love and dedication, and the compulsive quest for the divine spark that fuels this artist's vision. It is not a secret that Craig Vaz was felled by a very rare, undiagnosed ailment that his mother also carries. But Clarice Vaz refuses treatment, and instead paints for hours every day. The practice of deep meditation with her artistic tools and innovative mediums is - quite literally - a life-saver. This vitality is easily detected in the artwork. These are paintings that truly matter. For the path-breaking art exhibition, Aparanta, which took place in the Old GMC building in Panjim in 2007, the brilliant curator and writer Ranjit Hoskote took several days to travel around Goa to visit artists in their home studios. At the time, there was very little local interest, coupled with a strong resistance to the very idea of "Goan art". But Hoskote detected the presence of something truly significant. Noting that Goan artists have fed the Indian art world for generations like "an invisible river", he reported being shocked to repeatedly find "meteorically brilliant artists" languishing unknown because of "a lack of context". Goa at that time glaringly lacked critics and collectors with the wherewithal and confidence to celebrate talent where it flourished. Instead, shallow and cursory diktats from Delhi and Mumbai held sway, even here in the land of Fonseca and Trindade and Gaitonde, and Saligao's own Francis Newton Souza. Less than a decade after Hoskote magisterially registered Goa's twenty-first century art trajectory in the national imagination, many things have changed for the better. Some artists in Goa have started to earn real success, and national critical appreciation. The collector base is steadily burgeoning. But the challenge still remains to this still-forming art world, whether it can understand and accept real artistic guts when it shows up unannounced, or from an unexpected source. Clarice Vaz's heartfelt paintings demand that kind of recognition. My sincere congratulations for her remarkable achievement.
“ Born in Uganda, Clarice grew up in Goa and studied in India to become a qualified nurse and midwife. When the loss of her son, Craig, at a young age drove her into deep despair, she heeded the call to heal her inner spirit through art. After initially experimenting with knives and syringes, tools from her erstwhile profession, to create figurative works in a style that is uniquely hers, a mishap of spilt paint on her studio floor came as a sign from the Universe for Clarice to plumb her psyche through abstracts. She began working on reproducing the phenomena she experienced that day on canvas, with brilliant colours, usually but not always, radiating from the center to the edges of the work as if from a spinning motion. This motion, arising from her inner journey of spinning from darkness to light, pervades the canvas and even runs over the edges. Clarice's abstract works are full of vibrant and fluid colours, poured onto the canvas and lovingly nurtured, caressed and encouraged to flow into the patterns that reveal the landscape of her inner musings onto canvas. Her works, when viewed from different angles arouse different perspectives. It was with delight that I was invited to view her work at Saligao, Goa, where she now lives and I wish Clarice every success for her forthcoming exhibition "Awakening the Cosmos Within" at Gallery Gitanjali, Panjim, Goa.
“ Clarice's paintings depict the beauty of Goa and are very pleasant to look at. The bright colours and an innovative technique using a syringe instead of a brush makes her a painter with a promising future. She deserves to be encouraged.
“ Clarice's works resonate the fluid energy of her inner meanderings as she muses over the universal and the spiritual forces that guide and shape our lives.
“ I really appreciate the love you have for arts and your ceaseless efforts to bring out the artist in you.
“ Certainly one of your paintings would enhance any space that needed a bold representation in colour and keeping to simple themes work well when the content is as dramatic and powerful in the colour scheme as yours is. You have a good flair for using the brightness and depth of the Indian colour palette which I hope you will continue to develop.